|Scope details||24 Credits|
|Level of study||Syklus 2|
|Language of instruction||Norwegian/English|
Passed foundation level (bachelor in architecture).
Studio B3 continues with its search towards an architectural awareness that seeks to establish sustainable relationships between Nature and Culture and where the experience, discoveries and inventive thinking from the earlier "The New Collective" courses actively will be used and/or further developed.
The new relationship between nature and culture that studio B3 in the next courses investigates is utilized through the futher understanding, development and discovery of architectures elemtary properties and architectural space.
In order to approach this new correlation, the courses will at the start of the semester seek to dig deeper into the social/cultural changes and challenges that mark our time and discuss how these changes in different ways have influenced our relationship to the architectural space and how we use it.
Sets of living and the threshold between private and public, as well as the local and the global, will be debated in order to create a content in which the individual again compiles a consciousness towards architecture and hence attitude towards nature.
The New Collective: Garden (autumn 2015)
Each student shall define and argue for their own program intentions.
The Task is to make a desired relationship between; a social construct, a built construct, and an environment/milieu.
The challenge this semester is to release GARDEN as a unique spatial connector between nature and culture, a ROOM that inside its dualistic properties - mental and physical activity and rest - offers a “creative will”, The New Collective. The essential question that remains: where do we find GARDEN today?
At the end of the course, students will have increased their knowledge and skills within:
advanced, experimental architectural design.
Development of own working method.
Architectonic programming/development of a precise visual and written argumentation towards an architecture.
Working and learning activities
Introduction to the task - lectures and discussions.
Professor in chargePer Olaf FJeld, Lisbeth Funck, Rolf Gerstlauer
Mandatory work requirements
|Work requirements||Number||Number of approved||Mandatory presence||Comment|
semester work is developed in the studio (tegnesal)
|Attendance||ca 20 lectures||Ja||
|Oral examination||4 reviews plus final critt||5||Ja||
all reviews are mandatory
|Assessment||Date||Duration||Grade scale||Oral examination|
|Semesteroppgave||Individual||20 week(s)||Pass / Fail||80|
|Prosessvurdering underveis||Individual||20 week(s)||Pass / Fail||15|
5 presentations (4 reviews plus final critt)
Reading lists / teaching materials
Abraham, Anders (2009). A new nature: 9 architectural conditions between liquid and
solid. [Copenhagen]: Royal Danish Academy of Fine Arts, School of Architecture Publishers. Allen, Stan (1999), Points and Lines
Berger, John (1992). About Looking. [London]: Vintage.
Berger, John (1972). Why Look at Animals? [London]: Penguin Books.
Berger, John; with Dibb, Mike; Blomberg, Sven; Fox, Chris and Hollis, Richard (1972). Ways of Seeing. [London]: Penguin Books.
Deleuze, G. (2003). Francis Bacon: the logic of sensation. London: Continuum.
Druot, Frédéric; Lacaton, Anne; Vassal, Jean-Philippe (2007). Plus. [Barcelona]: Editorial
Gustavo Gili, SL.
Fehn, Sverre ( 1992), The poetry of the straight line_Den rette linjes poesi
Fjeld, Per Olaf (2009), Sverre Fehn. The pattern og thoughts
Frampton, K. (2002). Labour, work and architecture: collected essays on architecture and design. London: Phaidon.
Gissen, D. (2010). Territory: architecture beyond environment. London: Wiley. Hays, K. M. (1998). Architecture theory since 1968. Cambridge, Mass: MIT Press.
Hejduk, John (1995). Architectures in Love. Sketchbook Notes. [New York]: Rizzoli International Publications, Inc.
Kwinter, S. (2001). Architectures of time: toward a theory of the event in modernist culture. Cambridge, Mass.: MIT Press.
Leatherbarrow, D. (2000). Uncommon ground: architecture, technology, and topography. Cambridge, Mass.: MIT Press.
Merleau-Ponty, M. (2012). Phenomenology of Perception. New York, NY: Routledge. Mumford, L. (1972). The transformations of man. New York: Harper & Row.
Rem Kolhaas & Hans Ulrich Obrist (2011), Project Japan: Metabolism Talks
Richter, G., & Friedel, H. (2006). Gerhard Richter: ATLAS. London: Thames & Hudson. Rosalind Krauss & Yve Alain Bois (2000), Formless – A Users guide”
Serres, M. (2011). Malfeance: appropriation through pollution. Stanford University Press Skinner, B.F. (2005). Walden Two. Hacket Pub Co
Vesely, Dalibor (2004). Architecture in the Age of Divided Representation. The Question of Creativity in the Shadow of Production. The MIT Press.